Unused Garage Becomes a Sculptor’s Studio

Over sized wall decor. The particular wood sculptor wanted his studio to have a washing-up sink; it appears across from the workbench on the left part of the room.
Buggy doors. This photo shows the carriage doors, which swing open to let because and fresh air. They stand where the garage door was previously.
Vacuum cleaner system. The homeowner also wanted to have vacuum pressure system to pick upward the chips and slivers he creates during the carving process. This photograph shows a portion of the system. Mozen installed it within an
existing coal chute that ran from the garage to the basement of the primary home. She also installed an compressor that the sculptor uses to power his tools, below.
Cabinetry. This particular photograph shows the other side of the making studio, and the many cupboard units that Mozen designed to keep the room organized. The Shaker-style hickory cabinetry is bookmatched, which means designed to look
as though the materials

 

 

 

patterns of the two adjoining parts mirror each other. “We thought a woodcarver must have all his items in the room bookmatched, ” Mozen says.
The two high cabinets on the back wall, on either aspect of the flat-screen TELEVISION, contain the sculptor’s bigger tools, such as mills and power tool sharpeners, as well as a printer and laptop. A cedar soffit above the cabinetry  houses

 

 

the room’s mini split system, which is a ductless heating system and air system that allows temperature control in individual rooms.
This former garage in Atlanta had become a catchall for pots, fertilizer and other items, and the homeowners didn’t utilize it to recreation area cars. They decided to switch the space into a carving studio for the husband, a wood
sculptor, as part of a larger renovation of their home. “He’s inside every day while we’re still building the rest of the house, ” states Judy Mozen, the task contractor and designer.
Lights. Mozen and her customer chose industrial pendants that felt suitable for a making studio. Dark shades on the windows prevent the woodcarver from feeling as though he’s in a fish bowl when working late at night. Levels of recessed can illumination and task lighting make his work possible at any time, day or night.
Over sized wall decor. This image also shows what looks like a deal with on the end of the carving table; it’s a vise that the carver uses to keep wood in place.
Surface finishes. The ceiling material is tongue-and-groove pine planks; the beams and accent wooden pieces are all cedar. The particular floor is hickory wooden, stained dark to comparison with the lighter cabinetry and other wood
surface finishes.

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